Vsebina / Content
JURE GROM: Fotografija, slikarstvo, ploskev: implikacije Friedove teorije modernizma in umetniškega medija / Photography, Painting, Plane: Implications of Fried's Theory of Modernism and Artistic Medium
KATARINA BEBAR: Upodabljanje prostora po načelih linearne perspektive s pomočjo obogatene resničnosti / The Use of Augmented Reality for Linear Perspective Drawing
NADJA GNAMUŠ: Introspektiva, pogovor z A. O. / An Introspective, Conversation with A.O.
MIHA COLNER: Muzej dvoma. Jaka Babnik, fotograf / The Museum of Doubt. Jaka Babnik, photographer
SVETI JANEZ OD KRIŽA: Temna noč / On a Dark Night
ZORA STANČIČ: Zunaj kroga / Out of The Loop
MIKLAVŽ KOMELJ: Morandijeva metafizičnost / Morandi’s Metaphysicality
ZORAN SRDIĆ JANEŽIČ: Razmislek ob snovanju spomenika / Reflection on Conceiving a Monument
LILIJANA STEPANČIČ: Potisnjene v ženske likovne niše. Mediji o umetnosti likovnic v dravski banovini v tridesetih letih prejšnjega stoletja / Pushed into Female Art Niches: The Media on the Art of Women Artists in the Drava Banovina During the 1930s
DENIS VOLK: Avrelij Lukežič / Aurelio Lucchesi
PETJA GRAFENAUER: Zeleni rez: krajine, rastline, predmeti, površine, ploskve, robovi / Green Cut: Landscapes, Plants, Objects, Surfaces, Planes, Edges
MONIKA SLEMC: O mojem delu / About my Work
BORKO TEPINA: Ni vsaka redukcija realnega nujno abstrakcija / Not Every Reduction of the Real is Necessarily Abstraction
JELKA KERNEV ŠTRAJN: Ne smemo se navezovati na dobre stare stvari, temveč na slabe nove.« (Benjamin) / “Don’t start from the good old things but the bad new ones.” (Benjamin)
Razstave društev slovenskih likovnih umetnikov / The Exhibitions of the Slovenian Fine Artists Societies
JURE GROM: Fotografija, slikarstvo, ploskev: implikacije Friedove teorije modernizma in umetniškega medija / Photography, Painting, Plane: Implications of Fried's Theory of Modernism and Artistic Medium
KATARINA BEBAR: Upodabljanje prostora po načelih linearne perspektive s pomočjo obogatene resničnosti / The Use of Augmented Reality for Linear Perspective Drawing
NADJA GNAMUŠ: Introspektiva, pogovor z A. O. / An Introspective, Conversation with A.O.
MIHA COLNER: Muzej dvoma. Jaka Babnik, fotograf / The Museum of Doubt. Jaka Babnik, photographer
SVETI JANEZ OD KRIŽA: Temna noč / On a Dark Night
ZORA STANČIČ: Zunaj kroga / Out of The Loop
MIKLAVŽ KOMELJ: Morandijeva metafizičnost / Morandi’s Metaphysicality
ZORAN SRDIĆ JANEŽIČ: Razmislek ob snovanju spomenika / Reflection on Conceiving a Monument
LILIJANA STEPANČIČ: Potisnjene v ženske likovne niše. Mediji o umetnosti likovnic v dravski banovini v tridesetih letih prejšnjega stoletja / Pushed into Female Art Niches: The Media on the Art of Women Artists in the Drava Banovina During the 1930s
DENIS VOLK: Avrelij Lukežič / Aurelio Lucchesi
PETJA GRAFENAUER: Zeleni rez: krajine, rastline, predmeti, površine, ploskve, robovi / Green Cut: Landscapes, Plants, Objects, Surfaces, Planes, Edges
MONIKA SLEMC: O mojem delu / About my Work
BORKO TEPINA: Ni vsaka redukcija realnega nujno abstrakcija / Not Every Reduction of the Real is Necessarily Abstraction
JELKA KERNEV ŠTRAJN: Ne smemo se navezovati na dobre stare stvari, temveč na slabe nove.« (Benjamin) / “Don’t start from the good old things but the bad new ones.” (Benjamin)
Razstave društev slovenskih likovnih umetnikov / The Exhibitions of the Slovenian Fine Artists Societies
